Old US

Pictures of US singers in the 1970s and 1980s

Stunning Photos of Linda Ronstadt on Stage in the 1970s

Linda Maria Ronstadt (born July 15, 1946) is a retired American singer who performed and recorded in diverse genres including rock, country, light opera, the Great American Songbook, and Latin.

Ronstadt became the first female “arena class” rock star after the release of chart-topping albums such as Heart Like a WheelSimple Dreams, and Living in the USA. She set records as one of the top-grossing concert artists of the decade. Referred to as the “First Lady of Rock” and the “Queen of Rock”, Ronstadt was voted the Top Female Pop Singer of the 1970s.
She has released 24 studio albums and 15 compilation or greatest hits albums. She has earned 11 Grammy Awards, three American Music Awards, two Academy of Country Music awards, an Emmy Award, and an ALMA Award. Many of her albums have been certified gold, platinum or multiplatinum in the United States and internationally. She has also earned nominations for a Tony Award and a Golden Globe award. She was inducted into the Rock and Roll Hall of Fame in April 2014.
Take a look back at Ronstadt performing on stage in the seventies through these 17 stunning photos:

20 Amazing Photos of Bruce Springsteen in the 1980s

Bruce Springsteen (born September 23, 1949) is an American singer, songwriter, and bandleader who became the archetypal rock performer of the 1970s and 1980s.

Springsteen grew up in Freehold, a mill town where his father worked as a laborer. His rebellious and artistic side led him to the nearby Jersey Shore, where his imagination was sparked by the rock band scene and the boardwalk life, high and low. After an apprenticeship in bar bands on the mid-Atlantic coast, Springsteen turned himself into a solo singer-songwriter in 1972 and auditioned for talent scout John Hammond, Sr., who immediately signed him to Columbia Records. His first two albums, Greetings from Asbury Park, N.J. and The Wild, the Innocent & the E Street Shuffle, released in 1973, reflect folk rock, soul, and rhythm-and-blues influences, especially those of Van Morrison, Bob Dylan, and Stax/Volt Records. Springsteen’s voice, a rough baritone that he used to shout on up-tempo numbers and to more sensual effect on slower songs, was shown to good effect there, but his sometimes spectacular guitar playing, which ranged from dense power chord effects to straight 1950s rock and roll, had to be downplayed to fit the singer-songwriter format.
Advertisement
With his third album, Born to Run (1975), Springsteen transformed into a full-fledged rock and roller, heavily indebted to Phil Spector and Roy Orbison. The album, a diurnal song cycle, was a sensation even before it hit the shelves; indeed, the week of the album’s release, Columbia’s public relations campaign landed Springsteen on the covers of both Time and Newsweek. But it sold only middling well, and three years passed before the follow-up—the darker, tougher Darkness on the Edge of Town (1978)—appeared.
With “Hungry Heart,” from The River (1980), Springsteen finally scored an international hit single. By then, however, he was best known for his stage shows, three- and four-hour extravaganzas with his E Street Band that blended rock, folk, and soul with dramatic intensity and exuberant humor. The band—a crew of mixed stereotypes, from rock-and-roll bandit to cool music professional—was more like a gang than a musical unit, apparently held together by little other than faith in its leader. Springsteen’s relationship and interplay onstage with African American saxophonist Clarence Clemons was particularly iconic.
Springsteen’s refusal, after Born to Run, to cooperate with much of the record company’s public relations and marketing machinery, coupled with his painstaking recording process and the draining live shows, helped earn his reputation as a performer of principle as well as of power and popularity. Yet to that point Springsteen was probably more important as a regional hero of the Eastern Seaboard from Boston to Virginia, where his songs and attitudes metaphorically summed up a certain rock-based lifestyle, than as a figure of national or international importance.
Nebraska (1982), a stark set of acoustic songs, most in some way concerned with death, was an unusual interlude. It was Born in the U.S.A. (1984) and his subsequent 18-month world tour that cinched Springsteen’s reputation as the preeminent writer-performer of his rock-and-roll period. The album produced seven hit singles, most notably the title track, a sympathetic portrayal of Vietnam War veterans widely misinterpreted as a patriotic anthem.
Advertisement
Below is a selection of 20 amazing photographs of a young Bruce Springsteen in the 1980s:

24 Stunning Portraits of Lynda Carter as Wonder Woman in the 1970s

Lynda Carter (born July 24, 1951) is an American actress, singer, model, and beauty pageant titleholder who was crowned Miss World USA 1972 and finished in the Top 15 at the Miss World 1972 pageant. She is best known as the star of the American live-action television series Wonder Woman, in the role of Diana Prince / Wonder Woman. The role was based on the DC comic book fictional superheroine character of the same name, and aired on ABC and later on CBS from 1975 to 1979.

Carter’s acting career took off when she landed the starring role on Wonder Woman as the title character and her secret identity, Diana Prince. The savings she had set aside from her days of touring on the road with her band to pursue acting in Los Angeles were almost exhausted, and she was close to returning to Arizona when Carter’s manager informed her that Joanna Cassidy had lost the role and Carter had the part of Wonder Woman. Carter’s earnest performance greatly endeared her to both fans and critics and as a result, she continues to be closely identified with Wonder Woman.
The Wonder Woman series lasted for three seasons, which aired on ABC and later on CBS from 1975 to 1979. Carter’s performance, rooted in the character’s inherent goodness combined with a comic-accurate costume and a catchy theme song made for a depiction that was nothing less than iconic. After the show ended, Carter told Us that “I never meant to be a sexual object for anyone but my husband. I never thought a picture of my body would be tacked up in men’s bathrooms. I hate men looking at me and thinking what they think. And I know what they think. They write and tell me.”

LEAVE A RESPONSE

Your email address will not be published. Required fields are marked *